阳宅风水研究专家卢尚老师说："风水好，是让你居住的环境加分；而风水不好，只是减分而已。并不是光凭风水一项因素，就会全然改变我们的运势或居住环境。"尽管如此，还是有很多人在做室内装修时，会注重风水上的禁忌。虽然风水的改变不是一瞬间即可看 出成效，但是在居家摆设或格局选择上，即使不能加分也不至於减分，所以，居家风水的禁忌不可不知。 

　　禁忌1 
　　若是阳台正对大门或厨房，可将窗帘长时间拉上以作为阻绝。  
　　出入大门的位置不要正对阳台，这形成了所谓的"穿心"，家中会不易聚财，迭有破财事。解决方法：作玄关柜阻隔大门和阳台之间、在大门入口处放置鱼缸(命中忌水者不可放鱼缸，可以屏风取代)。可作阳台窗将阳台阻隔或种植盆栽及爬藤植物，窗帘长时间拉上也是可行的方法。 

　　禁忌2 
　　阳台也不可正对厨房，这也是一种"穿心"，会使得家中的团聚功能减弱，丈夫易外遇、老婆会红杏出墙，小孩不受回家。解决方法：作花架种满爬藤植物或放置盆栽，使其内外隔绝；再则可以作阳台音，也是一个阻隔方法。阳台落地门的窗帘尽量拉上或是在阳台和厨房之间的动线上，以不影响居住者行动为原则，作柜子或屏风为遮掩，总之就是不要让阳台直通厨房即可。  

　　禁忌3 
　　若是长沙发摆放在横梁下，可以天花板的装饰阻断其冲煞的力量。长沙发与床不可放在梁的下方，久之，长时间使用长沙发和床的人，身体易多病痛。解决方法：长沙发和床避免放在梁下方或以装潢手法把梁包起来，使其不显露於外即可。 

　　禁忌4 
　　命中忌水者，家中不可放鱼缸，并非如外界所认知，只要放鱼缸即可聚财。居住者五行喜忌须清楚，有特别忌讳者，家中都应避免。 
　　解决方法：查看万年历中的居住者五行喜忌，家中有禁忌者应避免放置该属性物品。五行喜忌火忌水、水忌土、上忌木、木忌金、金忌火。 

　　 禁忌5 
　　遮雨棚的垂檐要作成弧形、避免箭形。阳台遮雨棚的垂檐，不可呈箭形，对常进出阳台者身体不利。 
　　解决方法：不作垂檐，如一定要作垂檐，尽量作弧形而不要作成尖的形状。 

　　 禁忌6 
　　炉灶的摆放位署不可以对著後阳台的门或厨房门，这对常在家中用餐者的健康有损。 
　　解决方法：可以在门上装布帘，作为阻隔。 

　　禁忌7 
　　家中不要任意安装明镜，以免破坏室内磁场。  
　　有时室内为展现延伸效果，喜用明镜为装饰，但是卧房最好不要装大面的镜子，会使得存其中作自心者的磁场因反射而紊乱。 
　　解决方法：若一定要装镜子，也以一面墙为宜，不要两面都装，造成反射。或者运用家饰布作成帘子，将其遮掩起来。  

　　禁忌8 
　　家中植栽宜选宽阔叶片的植物，忌选仙人掌类的尖细叶片，易生口舌纠纷。  
　　家中的植栽也要慎选。不要种细长叶片的植物，这样主人易惹口舌纠纷。蕨类和葛藤类的植物最好也不要种，此类植物较阴，若长的茂盛，家中易招惹"不干净"的东西。 
　　解决方法：要选宽阔叶面的、或是生命力强的花卉为宜。 

　　禁忌9 
　　厕所的位署在居家风水中，是十分重要的，若是将房屋的平面九等分，位於正中那一块为家中"中宫"，居家厕所的位置不能在"中宫"上，即所谓的"厕占中宫"，对家中的财运与家人身体都不好。解决方法：若建设公司已将马桶放在中宫位上，试著将洗脸盆和马桶对调，或是长期在浴缸中蓄水，可以改善。 

　　禁忌10 
　　除了建筑内部，建筑外观的修饰也是重要的。有人在屋表弄一些突出物如人头等大型物件，从外表看来好像房屋长瘤。这种意象不好的外装，也是在居家风水中应极力避免的。解决方法：建筑外观选择平实、方正的，若无特殊需求，不要任意改变房屋外观。 

希望业主以后的生活也像这样红红火火滴~

站在门口望向客厅，面前这个木作框架是进门处的屏风，中间以后要夹一块很PL的艺术玻璃。既通透装饰性又墙，还解决了风水问题。

阳光真柔和！

站在客厅望向餐厅及入户处

站在木作装饰柱后面望向客厅及过道处~

入户处~

客厅通向厨房空间的装饰隔断~

过道处的椭圆形天花，以后要贴墙纸做灯带。

女主人比较喜欢圆形的东西，她说象征意义好：团团圆圆！

现场制作的鞋柜内部结构

餐厅背景墙，工人已经用木工板打好底，银镜及装饰木框还没做上。

站在客厅望向厨房~

客厅天花，石膏板是可耐福滴~

没有细枝末节！没有多余！

艺术，有时候就是这么简单！

A Park Avenue Interior at Once Elegant and Warm Interior Design by Juan Montoya Text by Wendy Moonan/Photography by Billy Cunningham
Published February 2006

Before
To add drama to the entrance hall of a New York apartment, Juan Montoya flanked the widened doorway to a hall with columns and installed a marble floor. An oil by Victor Matthews is at right. Evergreen Antiques 19th-century Danish settee.

After

To add drama to the entrance hall of a New York apartment, Juan Montoya flanked the widened doorway to a hall with columns and installed a marble floor. An oil by Victor Matthews is at right. Evergreen Antiques 19th-century Danish settee.

Before
Existing paneling in the living room serves as a backdrop for a more contemporary mix of furnishings and art, including a 1967 Wifredo Lam oil. Jourdan Antiques dark wood low table, chairs and lamps. David Duncan Antiques mirror-topped low table. Larsen fabric on Knole sofas, at right.

After
Existing paneling in the living room serves as a backdrop for a more contemporary mix of furnishings and art, including a 1967 Wifredo Lam oil. Jourdan Antiques dark wood low table, chairs and lamps. David Duncan Antiques mirror-topped low table. Larsen fabric on Knole sofas, at right

Before
Marble tiles replaced vinyl, and cabinets are now “Douglas fir that has been sliced and relaminated, so the grain is absolutely straight,” Montoya observes of the extensive makeover the kitchen received. Franke sink; Waterworks faucets. Sub-Zero refrigerator

After
Marble tiles replaced vinyl, and cabinets are now “Douglas fir that has been sliced and relaminated, so the grain is absolutely straight,” Montoya observes of the extensive makeover the kitchen received. Franke sink; Waterworks faucets. Sub-Zero refrigerator.

Before
Centered beneath a circa 1955 Venini glass chandelier, designed by Carlo Scarpa, is a macassar ebony table, which can be expanded to suit the family’s frequent entertaining needs. Old World Weavers chair fabric. Stark carpet.

After
Centered beneath a circa 1955 Venini glass chandelier, designed by Carlo Scarpa, is a macassar ebony table, which can be expanded to suit the family’s frequent entertaining needs. Old World Weavers chair fabric. Stark carpet.

Before
“The library’s red-leather-upholstered panels are reminiscent of the previously used wall color, and the room is framed by new cabinetry in macassar ebony and stained mahogany, giving it a masculine, elegant feeling,” Montoya notes.

After
“The library’s red-leather-upholstered panels are reminiscent of the previously used wall color, and the room is framed by new cabinetry in macassar ebony and stained mahogany, giving it a masculine, elegant feeling,” Montoya notes.

Before
In the master bedroom, the bed was reoriented, window treatments were extended from wall to wall, and ceiling soffits create drapery pockets and space for recessed lighting. Daybed from Liz O’Brien. Old World Weavers opaque dr

Peter Lanyon’s painting Blue Round Corner hangs in the living room. Ample natural light allowed Summers to use dark furnishings for contrast. The Arne Bang stoneware in the room is from Maison Gerard. Manuel Canovas velvet on sofa at rear. Larsen fabric on chaise longue. Slipper chair silk, Jim Thompson. Beauvais carpet. Murano glass lamps, John Salibello Antiques.

The penthouse is in the W Dallas Victory Hotel & Residences, part of a major downtown development spearheaded by Perot (above, with his wife).

“They’ve never lived in a place as contemporary as this,” says Summers. “They wanted the interiors to fit the modern building.”
The family room. Fabric on swivel chairs, right, Clarence House. Beacon Hill cream felt. FJ Hakimian rug.

Many of the design elements, including the pocket doors throughout and the African teak cabinetry in Sarah Perot’s study, were created by Summers’s architectural team. The painting One More Day 4 is by Hungarian artist Zsolt Bodoni-Dombi. Edelman leather on guest and desk chairs

The kitchen can accommodate both caterers for large events and the family for private meals. Banquette fabric, Lee Jofa. Bulthaup kitchen elements. Brueton barstools

The dining room. Scalamandré velvet on chair cushions. Beauvais carpet. Crystal goblets, Neiman Marcus.

The master bedroom. Cowtan & Tout drapery sheer. J. Robert Scott velvet on chair and ottoman. Bench and bed skirt fabric, Larsen. Edelman leather on side table, far right

The wife’s bath. Chair fabric, J. Robert Scott. Chaise longue fabric, Jim Thompson. Column tiles, Ann Sacks. Lamps, John Salibello Antiques. Vanity mirror, Baker. Fixtures, Waterworks

第二条：
不可过分依赖电脑技术，切记，你是一名设计师，不是一名电脑修图员；
Not to rely completely on computer technology, it is a tool only and cannotsubstitute you creativity. Remember, you are a designer, not a computergraphic editor;

第三条：
不可一直追随流行设计风格，现在流行的，必是马上过时的；
Be a creator and not a fashion-follower because a trendy style today would become an out-dated one tomorrow;

第四条：
各用10%的精力涉足十门设计学科，不如用100%的精力涉足于一门学科；
Trying ten design fields simultaneously but badly is worst than concentrating on onefield and master it;

第五条：
不可将自己都认为有问题的作品向公众发表；
Be professional and not to release any art works that you don''t like;

第六条：
不可因低价商业项目，而放低对作品的要求；
Not to lower the quality in view of low business value of an art work;

第七条：
不可凭主观意识评价他人作品；不可人云亦云；
Not to criticize other''s artwork merely on the ground of one''s preferences nor just replicate comment from someone;

第八条：
不可闭门造车；了解一些历史、哲学和人文，将对你的作品大有好处；
Not to create artwork without any ground. Great works usually come from the understanding of the culture, history and philosophy;

第九条：
不论身份高低，须保持歉虚的态度；
Keep yourself modest to people, no matter you are just a novice or a master;

第十条：
永远坚信：设计可以拯救你的国家，可以改变世界。
Always believe that design can save your country and change the world.